Line 6 700 Acoustic Guitar Variax Acoustic 700 offers you 16 models of the finest acoustic instruments on the planet with the push of a button. You can easily access jumbos, 12-strings, or even a nylon string classical to suit any style of play. Variax Acoustic 700 gives you the freedom to achieve an expertly mic'd acoustic sound without complex setups or feedback, even at concert-level volumes! Recording a great acoustic sound no longer requires a noise-free environment or a big equipment budget; just plug in and go. You also get instant access to alternate tunings for endless possibilities to fuel your inspiration. Simple and intuitive Volume and Mic Position/Tone Shaping controls Instant access to preset and custom altered tunings Thin and comfortable mahogany body with cedar top Mahogany neck with rosewood fingerboard and pearl snowflake position markers 24 medium profile frets 25 1/2" scale length 17" fingerboard radius Standard 1/4" guitar output jack Digital I/O jack for Vetta II connectivity Included direct box provides power plus 1/4" standard guitar and XLR balanced outputs Can also be powered by on-board batteries or Line 6's Vetta II amplifier Includes custom 1/4" TRS cable Custom-fitted heavy duty gig bag Available in Natural or Black finish

p>Line 6 Variax Acoustic 300 steel The Line 6 Variax Acoustic 300 steel puts an incredible range of detailed steel string sounds in a single, affordable guitar with classic good looks and playability. With its uniquely simple Body control knob, Line 6 Variax Acoustic 300 steel goes from bright and punchy flamenco to thick and round classical in an instant. No matter how big, warm, and loud you like your sound, Line 6 Variax Acoustic 300 steel delivers it all with incredible feedback resistance and no extraneous stage or studio noise! But, that's just the start of what you can do with Line 6 Variax Acoustic 300 steel. Line 6 Variax Acoustic 300 steel Guitar at a Glance: Studio-quality classical sound Intuitive controls for tonal shaping Great tone for any gig from coffee house to arena Studio-quality classical sound With Line 6 Variax Acoustic 300 steel, getting a studio-quality classical sound is as simple as plugging in your guitar. From amplifying ultra dynamic classical playing on stage without feedback, to recording flamenco pieces without ambient noise and expensive microphones, Line 6 Variax Acoustic 300 steel has you covered. Intuitive controls for tonal shaping The patented Line 6 modeling technology enables Line 6 Variax Acoustic 300 steel to capture all the vibe of a perfectly set up guitar and microphone in a great room. Line 6 Variax Acoustic 300 steel gives you these intuitive tone-shaping options for dialing in the perfect sound for any recording session or live gig: BODY: The Body knob is the center of the sonic engine for Variax Acoustic 300. By moving this control, you can easily go from a bright, punchy flamenco sound to a warm, round classical and anywhere in between. VOL: Just a simple volume control that you will probably leave all the way up. VERB: Add some ambience to your acoustic sounds with this simple to use slider. By pushing it towards the VOL and BODY controls, you can add a sense of space without sacrificing note definition and character. COMP: The middle slider lets you change the level of compression on the fly. A normal compressor usually has a lot of tweaky controls to adjust, but we take care of all the complicated stuff for you. Just push the slider toward the VOL and BODY controls for more compression, and away from the knobs for less. MIC: This slider allows you to alter the position of the modeled microphone. As you move the slider closer to the soundhole (away from the VOL and BODY controls), the modeled microphone is also getting closer to the soundhole and emphasizing the body's lower frequencies. Moving it away from the soundhole puts more emphasis on the strings and upper frequencies. Since this is all done in modeling, you can find your favorite sound without worrying about massive stage feedback or noise from your surrounding environment! PROG: To really take advantage of the Variax Acoustic 300, especially when performing, you'll want to get some sounds ready for instant recall. This button allows

Line 6 Variax 600 Overview Specifications Comfort-contoured basswood body Single piece maple neck and fingerboard with classic-feel and traditional "skunk stripe" Six-on-a-side headstock 22 medium profile frets 25 1/2" scale length 9 1/2" fingerboard radius Custom L.R. Baggs tremolo bridge Standard 1/4" guitar output jack Digital I/O jack for PODXT Live, Vetta II, and Workbench connectivity Included XPS A/B footswitch selects between two outputs: * 1/4" standard guitar output for connection to any guitar amp * XLR balanced output for sending acoustic sounds to a separate amp or PA

Line 6 Variax 700 Guitar The Variax line combines traditional guitar craftsmanship and Line 6's pioneering modeling technology to give you an instrument worthy of starting a revolution. Simple, instantly familiar controls Carved-top ash over mahogany body (Translucent Colors) or carved-top solid mahogany body (Black Only) One-piece maple neck with rosewood fingerboard, bone nut, and pearl inlays Gotoh Tuners 22 medium profile frets 25 1/2" scale length 10" fingerboard radius Custom Baggs bridge (tremolo or hardtail) Standard 1/4" guitar output jack Digital I/O jack for Vetta II connectivity Volume and tone controls respond faithfully for each model Included A/B footswitch selects between two outputs: 1/4" standard guitar output for connection to any guitar amp XLR balanced output for sending acoustic sounds to a separate amp or PA Powered by footswitch, on-board batteries, or Vetta II Custom-fitted heavy duty gigbag Available in Black or translucent Blue, Red, or Amber

Line 6 Variax Acoustic 300 Nylon The Line 6 Variax Acoustic 300 Nylon puts an incredible range of detailed nylon string sounds in a single, affordable guitar with classic good looks and playability. With its uniquely simple Body control knob, Line 6 Variax Acoustic 300 Nylon goes from bright and punchy flamenco to thick and round classical in an instant. No matter how big, warm, and loud you like your sound, Line 6 Variax Acoustic 300 Nylon delivers it all with incredible feedback resistance and no extraneous stage or studio noise! But, that's just the start of what you can do with Line 6 Variax Acoustic 300 Nylon. Line 6 Variax Acoustic 300 Nylon Guitar at a Glance: Studio-quality classical sound Intuitive controls for tonal shaping Great tone for any gig from coffee house to arena Studio-quality classical sound With Line 6 Variax Acoustic 300 Nylon, getting a studio-quality classical sound is as simple as plugging in your guitar. From amplifying ultra dynamic classical playing on stage without feedback, to recording flamenco pieces without ambient noise and expensive microphones, Line 6 Variax Acoustic 300 Nylon has you covered. Intuitive controls for tonal shaping The patented Line 6 modeling technology enables Line 6 Variax Acoustic 300 Nylon to capture all the vibe of a perfectly set up guitar and microphone in a great room. Line 6 Variax Acoustic 300 Nylon gives you these intuitive tone-shaping options for dialing in the perfect sound for any recording session or live gig: BODY: The Body knob is the center of the sonic engine for Variax Acoustic 300. By moving this control, you can easily go from a bright, punchy flamenco sound to a warm, round classical and anywhere in between. VOL: Just a simple volume control that you will probably leave all the way up. VERB: Add some ambience to your acoustic sounds with this simple to use slider. By pushing it towards the VOL and BODY controls, you can add a sense of space without sacrificing note definition and character. COMP: The middle slider lets you change the level of compression on the fly. A normal compressor usually has a lot of tweaky controls to adjust, but we take care of all the complicated stuff for you. Just push the slider toward the VOL and BODY controls for more compression, and away from the knobs for less. MIC: This slider allows you to alter the position of the modeled microphone. As you move the slider closer to the soundhole (away from the VOL and BODY controls), the modeled microphone is also getting closer to the soundhole and emphasizing the body's lower frequencies. Moving it away from the soundhole puts more emphasis on the strings and upper frequencies. Since this is all done in modeling, you can find your favorite sound without worrying about massive stage feedback or noise from your surrounding environment! PROG: To really take advantage of the Variax Acoustic 300, especially when performing, you'll want to get some sounds ready for instant recall. This button allows y

Line 6 Verbzilla Specifications Model Switch - This switch is used to select from 11 distinctly different types: '63 Spring - Based on* a Fender 1963 brown spring reverb head unit. Best known for great surf guitar tone! Spring - Based on a studio spring reverb. Plate - Based on a studio plate reverb. Room - Simulates the acoustic properties of a classic echo chamber that consists mainly of early reflections. Chamber - An elongated ambient space such as a hall, stairwell or elevator shaft creates this reverb type. Dreamy. Hall - Simulates the sound of a concert hall or large open space with a strong reverb tail. Imagine a gymnasium, performance hall, or cathedral. Ducking - Built using a 'Hall' but with a ducking effect. The volume of your reverb is "ducked" (reduced) while you're playing, and increases when you stop. This allows for clean musical passages with a touch of reverb that ramps up in volume once you stop playing. Octo - Creates a lush, ambient space with a harmonized decay whose harmonic denseness is controlled by the time knob. Use volume swells and prepare to float on a cloud! Cave - Surreal cavernous echo chamber. Tile - Emulates the acoustic reflections of a tiled room, such as a bathroom with bright early reflections. Echo - Just like it says ...echo...echo...echo. Mix - Allows you to control the amount of reverb in your signal from dry to 100% wet. Decay - Controls how quickly the reverb tail fades to silence. Time - Controls the length of pre-delay. This is the amount of delay before the signal hits the reverb chamber. Tone - Allows you to adjust the tonal character of the reverb, giving you the flexibility to go from dark and subtle to bright and splashy. Trails Switch - When switched on, Verbzilla's processing is engaged while in bypass, so reverb smoothly trails away when you kick the effect off.