Fender Squier Standard Precision Bass Special Rosewood The Precision Bass® was the first electric bass guitar — the one that started it all. Our Squier® P Bass Special and P Bass Special V are modern updates of those classic Fender designs. Easy to play, the Squier P Bass Special is responsive and flexible, delivering tone by the truckload. The slim, comfortable neck is matched to a solid agathis body, which is fitted with a traditional split single-coil P Bass pickup and a J Bass® pickup in the bridge position for tonal versatility. Quality touches include multi-ply pickguards, chrome dome knobs and a choice of four finish options. Specifications: MODEL NAME: Squier P Bass Special MODEL NUMBER: 032-1500-(Color#) SERIES: Squier Standard Series BODY: Agathis, Precision Bass Body NECK: Maple, Jazz Bass Neck, C-Shape, (Polyurethane Finish) FINGERBOARD: Rosewood, 9.5" Radius (241 mm) NO. OF FRETS: 20 Medium Jumbo SCALE LENGTH: 34" (864 mm) WIDTH AT NUT: 1.500" (38 mm) HARDWARE: Chrome MACHINE HEADS: Standard Open-Gear Tuners BRIDGE: Standard 4-Saddle PICKGUARD: 3-Ply Parchment on: 09, 65, 4-Ply Tortoise Shell on: 37, 3-Ply Black on: 92, 1-Ply Matte Black on: 43 PICKUPS: 1 Split Single-Coil Precision Bass Pickup (Mid), 1 Single-Coil Jazz Bass Pickup (Bridge) PICKUP SWITCHING: None CONTROLS: Volume 1. (Neck Pickup), Volume 2. (Bridge Pickup), Master Tone COLORS: (509) Candy Apple Red, (537) Antique Burst add $15.00, (543) Satin Pewter Metallic, (565) Black Metallic, (592) Walnut Satin, (Polyurethane Finish) STRINGS: Fender Super 7250ML, p/n 073-7250-005, (.045, .065, .080, .100) UNIQUE FEATURES: Jazz Bass Neck with Precision Bass Body, Knurled Chrome Dome Control Knobs, Dot Position Inlays ACCESSORIES: None

Fender® Squier Standard Strat® Left-Handed Electric Guitar The real legend in a left-hand version. Features a select poplar body, 21-fret maple neck with your choice of a rosewood or maple fretboard, 3 single-coil pickups, a vintage tremolo, and die-cast tuning keys. Does not include case. Features: Body: Poplar Neck: Maple Fingerboard: Rosewood or Maple Machine Heads: Fender Standard Pickups: 3 Standard Strats Single Coils Pickguard: 3-Ply White/Black/White Bridge: Vintage Style Tremolo Don't forget to send in the warranty registration card to Fender to receive maximum benefits. Body: Poplar Neck: Maple Fingerboard: Rosewood or Maple, 9.5 in. Radius/241 mm Scale Length: 25.5 in. (648 mm) No. of Frets: 21 Vintage Style Width at Nut: 1.650 in. (42 mm) Machine Heads: Fender Standard Pickups: 3 Standard Strats Single Coils Pickup Switching: 5-Position Blade Controls: Master Volume, Tone (Mid), Tone (Bridge) Pickguard: 3-Ply White/Black/White Bridge: Vintage Style Tremolo Strings: Fender Super Bullet 3250L's (.009 to .042)

Fender® Squier Standard Telecaster® Electric Guitar The Telecaster® tradition starts here. The guitar that started a musical revolution. So simple, yet incredibly versatile. Since its introduction in the early '50s, professional guitarists of all musical genres have relied on the Fender Telecaster® for its powerful tone and smooth playability. Today's Standard Telecaster incorporates the best of the old and new with a fast-action maple neck, cast/sealed machine heads, two classic single-coil pickups and combination 6-saddle/string-through body bridge. Features: Traditional Telecaster® poplar body Rosewood fretboard Die cast machine heads Standard Tele pickups (Neck & Bridge) Three-position blade controls Master volume, master tone Three-ply white pickguard Standard Tele® bridge with 6 saddles String-thru body

John Paul Jones Favorite Bass!

On its early ’60s introduction, the Fender® Jazz Bass® guitar immediately endeared itself to the music world, quickly becoming another Fender® design classic and an indispensable element in the arsenal of many a bassist worldwide.

Our lean-and-mean Standard Jazz Bass® incorporates many of the original model’s classic Fender® “firsts,” such as the offset waist and ultra-slim fast-action neck. It’s updated here with two bi-pole pickups and American Jazz Bass® knobs, giving you the best of both worlds and eras—some vintage vibe and appointments with some modern refinements.

The Jazz Bass® (or J-Bass) was the second model of electric bass guitar created by Leo Fender. The Jazz Bass® has a more articulate, defined sound than the Fender® Precision Bass®.

The bass is distinct from the Precision Bass® in that its tone is brighter and richer in the midrange with less emphasis on the fundamental harmonic. Because of this, many bass players who want to be more "forward" in the mix (including smaller bands such as power trios), prefer the Jazz Bass®.

First introduced in 1960 as the "Deluxe Model", it was marketed as a stablemate to the Jazzmaster® guitar which was also marketed as a "Deluxe Model" in its own right; however, it was renamed the Jazz Bass® as Fender® felt that its redesigned neck - narrower and more rounded than that of the Precision Bass® - would appeal more to jazz musicians.

The Jazz Bass® has two single coil pickups with two pole pieces per string. This gave the bass a a stronger midrange sound to compete with the Rickenbacker bass, which had been introduced in 1954 and which was famously "bright."

As well as having a slightly different, less symmetrical and more contoured body shape (known in Fender® advertising as the "Offset Waist Contour" body), the Jazz Bass ® neck is noticeably narrower at the nut than that of the Fender® Precision Bass®.

While the original Precision Bass® was styled similarly to the Telecaster® guitar, the Jazz Bass'® styling was inspired more by the Jazzmaster® guitar, with which the Jazz shared its offset body and sculpted edges that differentiate it from other slab-style guitar bodies.

The original intention was to encourage upright-bass players to switch to electric bass guitar.

It has become a true classic in the hands of bassists such as solo Bassist and Session Musician Marcus Miller, John Paul Jones of Led Zeppelin, Tim Commerford of Rage Against the Machine & Audioslave , Verdine White of Earth, Wind, & Fire, Larry Graham of Sly and the Family Stone and Graham Central Station, Noel Redding of the Jimi Hendrix Experience, John Entwistle of The Who (in the 1960s) and Geddy Lee of Rush, Flea of the Red Hot Chili Peppers, Les Claypool of Primus, Wesley Hopkins of Global Shell, Matt Freeman of Rancid, Jay DeMarcus of Rascal Flatts and Klaus Flouride of the Dead Kennedys to name but a few.

Vintage examples from the 1960s and 1970s are highly desirable. The new models remain a popular choice today of rock, jazz, and fusion musicians.

This Fender® Standard Jazz Bass® Is Featured In An Arctic White Finish!

John Paul Jones Favorite Bass!

On its early ’60s introduction, the Fender® Jazz Bass® guitar immediately endeared itself to the music world, quickly becoming another Fender® design classic and an indispensable element in the arsenal of many a bassist worldwide.

Our lean-and-mean Standard Jazz Bass® incorporates many of the original model’s classic Fender® “firsts,” such as the offset waist and ultra-slim fast-action neck. It’s updated here with two bi-pole pickups and American Jazz Bass® knobs, giving you the best of both worlds and eras—some vintage vibe and appointments with some modern refinements.

The Jazz Bass® (or J-Bass) was the second model of electric bass guitar created by Leo Fender. The Jazz Bass® has a more articulate, defined sound than the Fender® Precision Bass®.

The bass is distinct from the Precision Bass® in that its tone is brighter and richer in the midrange with less emphasis on the fundamental harmonic. Because of this, many bass players who want to be more "forward" in the mix (including smaller bands such as power trios), prefer the Jazz Bass®.

First introduced in 1960 as the "Deluxe Model", it was marketed as a stablemate to the Jazzmaster® guitar which was also marketed as a "Deluxe Model" in its own right; however, it was renamed the Jazz Bass® as Fender® felt that its redesigned neck - narrower and more rounded than that of the Precision Bass® - would appeal more to jazz musicians.

The Jazz Bass® has two single coil pickups with two pole pieces per string. This gave the bass a a stronger midrange sound to compete with the Rickenbacker bass, which had been introduced in 1954 and which was famously "bright."

As well as having a slightly different, less symmetrical and more contoured body shape (known in Fender® advertising as the "Offset Waist Contour" body), the Jazz Bass ® neck is noticeably narrower at the nut than that of the Fender® Precision Bass®.

While the original Precision Bass® was styled similarly to the Telecaster® guitar, the Jazz Bass'® styling was inspired more by the Jazzmaster® guitar, with which the Jazz shared its offset body and sculpted edges that differentiate it from other slab-style guitar bodies.

The original intention was to encourage upright-bass players to switch to electric bass guitar.

It has become a true classic in the hands of bassists such as solo Bassist and Session Musician Marcus Miller, John Paul Jones of Led Zeppelin, Tim Commerford of Rage Against the Machine & Audioslave , Verdine White of Earth, Wind, & Fire, Larry Graham of Sly and the Family Stone and Graham Central Station, Noel Redding of the Jimi Hendrix Experience, John Entwistle of The Who (in the 1960s) and Geddy Lee of Rush, Flea of the Red Hot Chili Peppers, Les Claypool of Primus, Wesley Hopkins of Global Shell, Matt Freeman of Rancid, Jay DeMarcus of Rascal Flatts and Klaus Flouride of the Dead Kennedys to name but a few.

Vintage examples from the 1960s and 1970s are highly desirable. The new models remain a popular choice today of rock, jazz, and fusion musicians.

This Fender® Standard Jazz Bass® Is Featured In An Gloss Black Finish!

Larry Graham of Sly and the Family Stone and Graham Central Station Plays A Jazz Bass!

On its early ’60s introduction, the Fender® Jazz Bass® guitar immediately endeared itself to the music world, quickly becoming another Fender® design classic and an indispensable element in the arsenal of many a bassist worldwide.

Our lean-and-mean Standard Jazz Bass® incorporates many of the original model’s classic Fender® “firsts,” such as the offset waist and ultra-slim fast-action neck. It’s updated here with two bi-pole pickups and American Jazz Bass® knobs, giving you the best of both worlds and eras—some vintage vibe and appointments with some modern refinements.

The Jazz Bass® (or J-Bass) was the second model of electric bass guitar created by Leo Fender. The Jazz Bass® has a more articulate, defined sound than the Fender® Precision Bass®.

The bass is distinct from the Precision Bass® in that its tone is brighter and richer in the midrange with less emphasis on the fundamental harmonic. Because of this, many bass players who want to be more "forward" in the mix (including smaller bands such as power trios), prefer the Jazz Bass®.

First introduced in 1960 as the "Deluxe Model", it was marketed as a stablemate to the Jazzmaster® guitar which was also marketed as a "Deluxe Model" in its own right; however, it was renamed the Jazz Bass® as Fender® felt that its redesigned neck - narrower and more rounded than that of the Precision Bass® - would appeal more to jazz musicians.

The Jazz Bass® has two single coil pickups with two pole pieces per string. This gave the bass a a stronger midrange sound to compete with the Rickenbacker bass, which had been introduced in 1954 and which was famously "bright."

As well as having a slightly different, less symmetrical and more contoured body shape (known in Fender® advertising as the "Offset Waist Contour" body), the Jazz Bass ® neck is noticeably narrower at the nut than that of the Fender® Precision Bass®.

While the original Precision Bass® was styled similarly to the Telecaster® guitar, the Jazz Bass'® styling was inspired more by the Jazzmaster® guitar, with which the Jazz shared its offset body and sculpted edges that differentiate it from other slab-style guitar bodies.

The original intention was to encourage upright-bass players to switch to electric bass guitar.

It has become a true classic in the hands of bassists such as solo Bassist and Session Musician Marcus Miller, John Paul Jones of Led Zeppelin, Tim Commerford of Rage Against the Machine & Audioslave , Verdine White of Earth, Wind, & Fire, Larry Graham of Sly and the Family Stone and Graham Central Station, Noel Redding of the Jimi Hendrix Experience, John Entwistle of The Who (in the 1960s) and Geddy Lee of Rush, Flea of the Red Hot Chili Peppers, Les Claypool of Primus, Wesley Hopkins of Global Shell, Matt Freeman of Rancid, Jay DeMarcus of Rascal Flatts and Klaus Flouride of the Dead Kennedys to name but a few.

Vintage examples from the 1960s and 1970s are highly desirable. The new models remain a popular choice today of rock, jazz, and fusion musicians.

This Fender® Standard Jazz Bass® Is Featured In An Electron Blue Finish!

Makes A Great, Thick Fretless Sound, With Plenty Of "mwah"!

The sound SINGS to you, the lows are deep and organic, and the upper range will touch your soul. To all you fretted bass players out there; if you want to improve your skills, play a fretless, you will be surprised to find out how much more there is to learn about your instrument!

On its early ’60s introduction, the Fender® Jazz Bass® guitar immediately endeared itself to the music world, quickly becoming another Fender® design classic and an indispensable element in the arsenal of many a bassist worldwide. The fretless version of the instrument also proved very popular and quickly found its own niche.

The fretless version of the lean-and-mean Standard Jazz Bass® incorporates many of the original model’s classic Fender® “firsts,” such as the offset waist and ultra-slim fast-action neck. It’s updated here with two bi-pole pickups, American Jazz Bass® knobs and side dot position markers are centered between fretlines, giving you the best of both worlds and eras—some vintage vibe and appointments with some modern refinements.

Fretless basses have a distinct sound: the absence of frets means that the string must be pressed down directly onto the wood of the fingerboard and can buzz against it as with the double bass, sometimes described as a "mwaah" sound by bassists.

The fretless bass allows players to use the expressive devices of glissando, vibrato and microtonal intonations such as quarter tones and just intonation. Some bassists use both fretted and fretless basses in performances, according to the type of material they are performing.

In “How The Fender® Bass Changed The World”, Jim Roberts states that Bill Wyman made the first known fretless electric bass guitar in 1961 by converting an inexpensive Japanese fretted bass. This fretless bass can be heard on The Rolling Stones songs such as "Paint it Black".

Fender® introduced a fretless version of the Precision Bass® in 1970. Fusion-jazz virtuoso Jaco Pastorius created his own fretless bass by pulling the frets out of a sunburst Fender® Jazz Bass®, filling up the holes with wood putty and coating the fretboard with epoxy resin.

Fretless basses are widely used in jazz and jazz fusion music. Nonetheless, many bassists from other genres use fretless basses.

This Sunburst finish Fretless Fender® Standard Jazz Bass® is pure tonal magic; from soaring fretless highs to growling lows, just like an upright!

Larry Graham of Sly and the Family Stone and Graham Central Station Plays A Jazz Bass!

On its early ’60s introduction, the Fender® Jazz Bass® guitar immediately endeared itself to the music world, quickly becoming another Fender® design classic and an indispensable element in the arsenal of many a bassist worldwide.

Our lean-and-mean Standard Jazz Bass® incorporates many of the original model’s classic Fender® “firsts,” such as the offset waist and ultra-slim fast-action neck. It’s updated here with two bi-pole pickups and American Jazz Bass® knobs, giving you the best of both worlds and eras—some vintage vibe and appointments with some modern refinements.

The Jazz Bass® (or J-Bass) was the second model of electric bass guitar created by Leo Fender. The Jazz Bass® has a more articulate, defined sound than the Fender® Precision Bass®.

The bass is distinct from the Precision Bass® in that its tone is brighter and richer in the midrange with less emphasis on the fundamental harmonic. Because of this, many bass players who want to be more "forward" in the mix (including smaller bands such as power trios), prefer the Jazz Bass®.

First introduced in 1960 as the "Deluxe Model", it was marketed as a stablemate to the Jazzmaster® guitar which was also marketed as a "Deluxe Model" in its own right; however, it was renamed the Jazz Bass® as Fender® felt that its redesigned neck - narrower and more rounded than that of the Precision Bass® - would appeal more to jazz musicians.

The Jazz Bass® has two single coil pickups with two pole pieces per string. This gave the bass a a stronger midrange sound to compete with the Rickenbacker bass, which had been introduced in 1954 and which was famously "bright."

As well as having a slightly different, less symmetrical and more contoured body shape (known in Fender® advertising as the "Offset Waist Contour" body), the Jazz Bass ® neck is noticeably narrower at the nut than that of the Fender® Precision Bass®.

While the original Precision Bass® was styled similarly to the Telecaster® guitar, the Jazz Bass'® styling was inspired more by the Jazzmaster® guitar, with which the Jazz shared its offset body and sculpted edges that differentiate it from other slab-style guitar bodies.

The original intention was to encourage upright-bass players to switch to electric bass guitar.

It has become a true classic in the hands of bassists such as solo Bassist and Session Musician Marcus Miller, John Paul Jones of Led Zeppelin, Tim Commerford of Rage Against the Machine & Audioslave , Verdine White of Earth, Wind, & Fire, Larry Graham of Sly and the Family Stone and Graham Central Station, Noel Redding of the Jimi Hendrix Experience, John Entwistle of The Who (in the 1960s) and Geddy Lee of Rush, Flea of the Red Hot Chili Peppers, Les Claypool of Primus, Wesley Hopkins of Global Shell, Matt Freeman of Rancid, Jay DeMarcus of Rascal Flatts and Klaus Flouride of the Dead Kennedys to name but a few.

Vintage examples from the 1960s and 1970s are highly desirable. The new models remain a popular choice today of rock, jazz, and fusion musicians.

This Fender® Standard Jazz Bass® Is Featured In An Midnight Wine Finish!

John Paul Jones Favorite Bass!

On its early ’60s introduction, the Fender® Jazz Bass® guitar immediately endeared itself to the music world, quickly becoming another Fender® design classic and an indispensable element in the arsenal of many a bassist worldwide.

Our lean-and-mean Standard Jazz Bass® incorporates many of the original model’s classic Fender® “firsts,” such as the offset waist and ultra-slim fast-action neck. It’s updated here with two bi-pole pickups and American Jazz Bass® knobs, giving you the best of both worlds and eras—some vintage vibe and appointments with some modern refinements.

The Jazz Bass® (or J-Bass) was the second model of electric bass guitar created by Leo Fender. The Jazz Bass® has a more articulate, defined sound than the Fender® Precision Bass®.

The bass is distinct from the Precision Bass® in that its tone is brighter and richer in the midrange with less emphasis on the fundamental harmonic. Because of this, many bass players who want to be more "forward" in the mix (including smaller bands such as power trios), prefer the Jazz Bass®.

First introduced in 1960 as the "Deluxe Model", it was marketed as a stablemate to the Jazzmaster® guitar which was also marketed as a "Deluxe Model" in its own right; however, it was renamed the Jazz Bass® as Fender® felt that its redesigned neck - narrower and more rounded than that of the Precision Bass® - would appeal more to jazz musicians.

The Jazz Bass® has two single coil pickups with two pole pieces per string. This gave the bass a a stronger midrange sound to compete with the Rickenbacker bass, which had been introduced in 1954 and which was famously "bright."

As well as having a slightly different, less symmetrical and more contoured body shape (known in Fender® advertising as the "Offset Waist Contour" body), the Jazz Bass ® neck is noticeably narrower at the nut than that of the Fender® Precision Bass®.

While the original Precision Bass® was styled similarly to the Telecaster® guitar, the Jazz Bass'® styling was inspired more by the Jazzmaster® guitar, with which the Jazz shared its offset body and sculpted edges that differentiate it from other slab-style guitar bodies.

The original intention was to encourage upright-bass players to switch to electric bass guitar.

It has become a true classic in the hands of bassists such as solo Bassist and Session Musician Marcus Miller, John Paul Jones of Led Zeppelin, Tim Commerford of Rage Against the Machine & Audioslave , Verdine White of Earth, Wind, & Fire, Larry Graham of Sly and the Family Stone and Graham Central Station, Noel Redding of the Jimi Hendrix Experience, John Entwistle of The Who (in the 1960s) and Geddy Lee of Rush, Flea of the Red Hot Chili Peppers, Les Claypool of Primus, Wesley Hopkins of Global Shell, Matt Freeman of Rancid, Jay DeMarcus of Rascal Flatts and Klaus Flouride of the Dead Kennedys to name but a few.

Vintage examples from the 1960s and 1970s are highly desirable. The new models remain a popular choice today of rock, jazz, and fusion musicians.

This Fender® Standard Jazz Bass® Is Featured In A Sunburst Finish!

Buddy Holly, Dick Dale, Jimi Hendrix, David Gilmour, Billy Corgan & The Standard Strat!

More than any other electric guitar, the Fender® Strat® is all guitars to all people.

Featuring a fast-action maple neck, gloss black finish, comfort-contoured body, three single-coil pickups and a standard synchronized tremolo, the Fender Stratocaster is known as both a working musician's tool and as an international cultural icon.

The contoured alder body fits comfortably against your ribs enabling you to play for hours on end, add a three-ply pickguard, maple neck with rosewood fretboard, Two-point synchronized tremolo which is one of the best modern designs, and three single coil pickups that deliver all the "spank" and "sparkle" you'd expect from a Strat®,
and you have a guitar that’s adaptable to almost any musical situation.

The beauty of this guitar is the simplicity and practical engineering. The most amazing thing about this guitar is despite all the advancements in modern technology
No one has been able to top the basic design.

Leo Fender the “Henry Ford” of guitars founded the first company to build a modular mass produced guitar.

Fender's early instruments were revolutionary, and their introduction contributed to the birth of something now commonplace: the "musical group".

Live performances up to this era had relied upon large bands and orchestras to fill concert halls. Now, armed with the proper instruments, bands or groups consisting of only 3 or 4 musicians could perform large venues. The "Big Band" era began to fade as musicians began to discover the Fender electric guitar and Fender bass.

Released in 1954, Fender named his new creation the Stratocaster to invoke images of the high flying, supersonic jets filling America's skies in the 1950's.

The modern Standard Strat incorporates several refinements into its timeless design, like hand-rolled fingerboard edges, five-way switching and a two-point synchronized tremolo along with a very reasonable price.

Though the original Stratocaster was first introduced more than 50 years ago, it's unquestionably more popular now than ever! It's also available today in more configurations than Leo Fender ever dreamed of when he first designed it.

The original Strat had three single coil pickups, so it was able to produce sounds that no other guitar could deliver, particularly once players discovered they could lodge the three-position blade switch in those "in-between" positions to access neck / middle and bridge / middle pickup combinations.

These were often erroneously referred to as the "out-of-phase" settings. The Fender Standard Stratocaster comes with three sweet-sounding single coil pickups but with a five-position blade switch, making it a snap to access those glossy Strat sounds with a simple flick of the finger.

Leo Fender wasn't afraid to "think outside the box" when it came to guitar designs and guitarists of the world sure are thankful!