Fender Squier Bronco™ Bass The Squier Bronco Bass is great for guitarists who occasionally need a bass, for younger beginners, for smaller players or for anyone who likes the feel of a short-scale (30 inches) bass. It tunes easily and sounds full and rich, thanks to its Maple neck, die-cast tuners and solid Agathis body, which is equipped with a single-coil pickup. Features: MODEL NAME Squier Bronco Bass MODEL NUMBER 031-0902 SERIES Squier Affinity Series BODY Agathis NECK Maple FINGERBOARD Maple, 9.5" Radius (241 mm) NO. OF FRETS 19 SCALE LENGTH 30" WIDTH AT NUT 1.50" (38 mm) HARDWARE Chrome MACHINE HEADS Standard Tuners BRIDGE Standard 4-Saddle PICKGUARD 3-Ply White PICKUPS 1 Special Design Single-Coil Pickup PICKUP SWITCHING None CONTROLS Volume, Tone COLORS (506) Black, (558) Torino Red, (Polyurethane Finish) STRINGS Fender Super 5250XL, p/n 073-5250-002, (.040, .060, .075, .095) UNIQUE FEATURES Short Scale Length, Dot Position Inlays ACCESSORIES N/A WRENCH SIZES Truss Rod Adjustment Wrench 4mm, Saddle Height Adjustment Wrench 1.5mm

Fender Squier Standard Precision Bass Special Rosewood The Precision Bass® was the first electric bass guitar — the one that started it all. Our Squier® P Bass Special and P Bass Special V are modern updates of those classic Fender designs. Easy to play, the Squier P Bass Special is responsive and flexible, delivering tone by the truckload. The slim, comfortable neck is matched to a solid agathis body, which is fitted with a traditional split single-coil P Bass pickup and a J Bass® pickup in the bridge position for tonal versatility. Quality touches include multi-ply pickguards, chrome dome knobs and a choice of four finish options. Specifications: MODEL NAME: Squier P Bass Special MODEL NUMBER: 032-1500-(Color#) SERIES: Squier Standard Series BODY: Agathis, Precision Bass Body NECK: Maple, Jazz Bass Neck, C-Shape, (Polyurethane Finish) FINGERBOARD: Rosewood, 9.5" Radius (241 mm) NO. OF FRETS: 20 Medium Jumbo SCALE LENGTH: 34" (864 mm) WIDTH AT NUT: 1.500" (38 mm) HARDWARE: Chrome MACHINE HEADS: Standard Open-Gear Tuners BRIDGE: Standard 4-Saddle PICKGUARD: 3-Ply Parchment on: 09, 65, 4-Ply Tortoise Shell on: 37, 3-Ply Black on: 92, 1-Ply Matte Black on: 43 PICKUPS: 1 Split Single-Coil Precision Bass Pickup (Mid), 1 Single-Coil Jazz Bass Pickup (Bridge) PICKUP SWITCHING: None CONTROLS: Volume 1. (Neck Pickup), Volume 2. (Bridge Pickup), Master Tone COLORS: (509) Candy Apple Red, (537) Antique Burst add $15.00, (543) Satin Pewter Metallic, (565) Black Metallic, (592) Walnut Satin, (Polyurethane Finish) STRINGS: Fender Super 7250ML, p/n 073-7250-005, (.045, .065, .080, .100) UNIQUE FEATURES: Jazz Bass Neck with Precision Bass Body, Knurled Chrome Dome Control Knobs, Dot Position Inlays ACCESSORIES: None

Fender Stage 1600 Guitar Amplifier Features: THE NEW DYNA-TOUCH III SERIES amps combine great tones, killer looks and ease of use with the excitement of Fender® DSP effects. All models include Reverb, Delay, Chorus, Flange, Tremolo and more! SEVEN REVOLUTIONARY TIMBRE FILTERS - including Metal Drop Scoop, Mid Squawk and Acoustic Scoop. And, of course, Dyna-Touch III amps feature the same legendary "dynamic" touch-sensitive response you expect from a Fender. With features like these, other amps can't touch it! Handcrafted Fender DSP effects FX Select, FX Level, Time/Rate knobs Seven timbre filters 160 watts as-is with both speakers, 100 watts with one speaker Two Celestion® G12T-100 speakers Digital chromatic tuner Specifications: MODEL NAME: Stage 1600 MODEL NUMBER: 22-68000-020 (120V, 60Hz) USA22-68003-020 (240V, 50Hz) AUS22-68005-020 (220V, 50Hz) ARG, 22-68007-020 (100V, 50Hz) JPN, 22-68001-020 (110V, 60Hz) TW22-68004-020 (230V, 50Hz) UK22-68006-020 (230V, 50Hz) EUR22-68009-020 (220V, 60Hz) ROK SERIES: Dyna-Touch Series III TYPE: Solid State OUTPUT: 160 watts into 4 ohms (Internal with Both Speakers Engaged), 100 Watts into 8 ohms (Internal With Only 1 Speaker Engaged) OHMS: 4 ohms SPEAKERS: 2-12" Celestion® G12T-100/1887, 8 ohm, 100 Watt Speakers, p/n 0054420000 CHANNELS: Three Selectable Channels (Normal, Drive and More Drive) FEATURES: DSP Effects: Reverb, Delay, Chorus, Flange, Tremolo, Vibratone, Phaser,Dedicated Tone Controls for Normal and Drive Channels,Dedicated Reverb Control for Normal and Drive Channels,7 Preset Timbre Filters with Recall,Effects Loop,Digital Chromatic Tuner,Balanced XLR Line Out,4-Button Footswitch for Channel Select, Drive Select and "More Drive" Select, Reverb On/Off, Effects On/Off,External Speaker Jack,Jewel Pilot Light CONTROLS: Normal Channel:Volume,Treble,Mid,Bass,Channel Select Switch,Drive Channel:Drive,More Drive Switch,Volume,Treble,Mid,Mid Contour Switch,Bass,Effexts Section:Reverb Level,Reverb Type,FX Level,FX Select,Time/Rate COVERING: Black Textured Vinyl with Dark Black/Silver Grille Cloth WEIGHT: 53 lbs. (24.1 kg) DIMENSIONS: Height: 18.5" (47 cm),Width: 26.1" (66 cm),Depth: 10.25" (26 cm) POWER HANDLING: N/A TUBE COMPLEMENT: N/A SHIPPING WEIGHT: 58 lbs COVER: Uses Cover, p/n 0029885000, (Not Included) ACCESSORIES: Comes with 4-Button Footswitch p/n 0057601000 for Channel Select, Drive Select and "More Drive" Select, Reverb On/Off, Effects On/Off,Includes Castors p/n 0056483000 FOOTSWITCH: Uses 4-Button Footswitch for Effects Loop On/Off, Reverb On/Off, Channel Switching, Drive Select and "More Drive" Select, p/n 0057601000, $64.99

John Paul Jones Favorite Bass!

On its early ’60s introduction, the Fender® Jazz Bass® guitar immediately endeared itself to the music world, quickly becoming another Fender® design classic and an indispensable element in the arsenal of many a bassist worldwide.

Our lean-and-mean Standard Jazz Bass® incorporates many of the original model’s classic Fender® “firsts,” such as the offset waist and ultra-slim fast-action neck. It’s updated here with two bi-pole pickups and American Jazz Bass® knobs, giving you the best of both worlds and eras—some vintage vibe and appointments with some modern refinements.

The Jazz Bass® (or J-Bass) was the second model of electric bass guitar created by Leo Fender. The Jazz Bass® has a more articulate, defined sound than the Fender® Precision Bass®.

The bass is distinct from the Precision Bass® in that its tone is brighter and richer in the midrange with less emphasis on the fundamental harmonic. Because of this, many bass players who want to be more "forward" in the mix (including smaller bands such as power trios), prefer the Jazz Bass®.

First introduced in 1960 as the "Deluxe Model", it was marketed as a stablemate to the Jazzmaster® guitar which was also marketed as a "Deluxe Model" in its own right; however, it was renamed the Jazz Bass® as Fender® felt that its redesigned neck - narrower and more rounded than that of the Precision Bass® - would appeal more to jazz musicians.

The Jazz Bass® has two single coil pickups with two pole pieces per string. This gave the bass a a stronger midrange sound to compete with the Rickenbacker bass, which had been introduced in 1954 and which was famously "bright."

As well as having a slightly different, less symmetrical and more contoured body shape (known in Fender® advertising as the "Offset Waist Contour" body), the Jazz Bass ® neck is noticeably narrower at the nut than that of the Fender® Precision Bass®.

While the original Precision Bass® was styled similarly to the Telecaster® guitar, the Jazz Bass'® styling was inspired more by the Jazzmaster® guitar, with which the Jazz shared its offset body and sculpted edges that differentiate it from other slab-style guitar bodies.

The original intention was to encourage upright-bass players to switch to electric bass guitar.

It has become a true classic in the hands of bassists such as solo Bassist and Session Musician Marcus Miller, John Paul Jones of Led Zeppelin, Tim Commerford of Rage Against the Machine & Audioslave , Verdine White of Earth, Wind, & Fire, Larry Graham of Sly and the Family Stone and Graham Central Station, Noel Redding of the Jimi Hendrix Experience, John Entwistle of The Who (in the 1960s) and Geddy Lee of Rush, Flea of the Red Hot Chili Peppers, Les Claypool of Primus, Wesley Hopkins of Global Shell, Matt Freeman of Rancid, Jay DeMarcus of Rascal Flatts and Klaus Flouride of the Dead Kennedys to name but a few.

Vintage examples from the 1960s and 1970s are highly desirable. The new models remain a popular choice today of rock, jazz, and fusion musicians.

This Fender® Standard Jazz Bass® Is Featured In An Arctic White Finish!

John Paul Jones Favorite Bass!

On its early ’60s introduction, the Fender® Jazz Bass® guitar immediately endeared itself to the music world, quickly becoming another Fender® design classic and an indispensable element in the arsenal of many a bassist worldwide.

Our lean-and-mean Standard Jazz Bass® incorporates many of the original model’s classic Fender® “firsts,” such as the offset waist and ultra-slim fast-action neck. It’s updated here with two bi-pole pickups and American Jazz Bass® knobs, giving you the best of both worlds and eras—some vintage vibe and appointments with some modern refinements.

The Jazz Bass® (or J-Bass) was the second model of electric bass guitar created by Leo Fender. The Jazz Bass® has a more articulate, defined sound than the Fender® Precision Bass®.

The bass is distinct from the Precision Bass® in that its tone is brighter and richer in the midrange with less emphasis on the fundamental harmonic. Because of this, many bass players who want to be more "forward" in the mix (including smaller bands such as power trios), prefer the Jazz Bass®.

First introduced in 1960 as the "Deluxe Model", it was marketed as a stablemate to the Jazzmaster® guitar which was also marketed as a "Deluxe Model" in its own right; however, it was renamed the Jazz Bass® as Fender® felt that its redesigned neck - narrower and more rounded than that of the Precision Bass® - would appeal more to jazz musicians.

The Jazz Bass® has two single coil pickups with two pole pieces per string. This gave the bass a a stronger midrange sound to compete with the Rickenbacker bass, which had been introduced in 1954 and which was famously "bright."

As well as having a slightly different, less symmetrical and more contoured body shape (known in Fender® advertising as the "Offset Waist Contour" body), the Jazz Bass ® neck is noticeably narrower at the nut than that of the Fender® Precision Bass®.

While the original Precision Bass® was styled similarly to the Telecaster® guitar, the Jazz Bass'® styling was inspired more by the Jazzmaster® guitar, with which the Jazz shared its offset body and sculpted edges that differentiate it from other slab-style guitar bodies.

The original intention was to encourage upright-bass players to switch to electric bass guitar.

It has become a true classic in the hands of bassists such as solo Bassist and Session Musician Marcus Miller, John Paul Jones of Led Zeppelin, Tim Commerford of Rage Against the Machine & Audioslave , Verdine White of Earth, Wind, & Fire, Larry Graham of Sly and the Family Stone and Graham Central Station, Noel Redding of the Jimi Hendrix Experience, John Entwistle of The Who (in the 1960s) and Geddy Lee of Rush, Flea of the Red Hot Chili Peppers, Les Claypool of Primus, Wesley Hopkins of Global Shell, Matt Freeman of Rancid, Jay DeMarcus of Rascal Flatts and Klaus Flouride of the Dead Kennedys to name but a few.

Vintage examples from the 1960s and 1970s are highly desirable. The new models remain a popular choice today of rock, jazz, and fusion musicians.

This Fender® Standard Jazz Bass® Is Featured In An Gloss Black Finish!

Larry Graham of Sly and the Family Stone and Graham Central Station Plays A Jazz Bass!

On its early ’60s introduction, the Fender® Jazz Bass® guitar immediately endeared itself to the music world, quickly becoming another Fender® design classic and an indispensable element in the arsenal of many a bassist worldwide.

Our lean-and-mean Standard Jazz Bass® incorporates many of the original model’s classic Fender® “firsts,” such as the offset waist and ultra-slim fast-action neck. It’s updated here with two bi-pole pickups and American Jazz Bass® knobs, giving you the best of both worlds and eras—some vintage vibe and appointments with some modern refinements.

The Jazz Bass® (or J-Bass) was the second model of electric bass guitar created by Leo Fender. The Jazz Bass® has a more articulate, defined sound than the Fender® Precision Bass®.

The bass is distinct from the Precision Bass® in that its tone is brighter and richer in the midrange with less emphasis on the fundamental harmonic. Because of this, many bass players who want to be more "forward" in the mix (including smaller bands such as power trios), prefer the Jazz Bass®.

First introduced in 1960 as the "Deluxe Model", it was marketed as a stablemate to the Jazzmaster® guitar which was also marketed as a "Deluxe Model" in its own right; however, it was renamed the Jazz Bass® as Fender® felt that its redesigned neck - narrower and more rounded than that of the Precision Bass® - would appeal more to jazz musicians.

The Jazz Bass® has two single coil pickups with two pole pieces per string. This gave the bass a a stronger midrange sound to compete with the Rickenbacker bass, which had been introduced in 1954 and which was famously "bright."

As well as having a slightly different, less symmetrical and more contoured body shape (known in Fender® advertising as the "Offset Waist Contour" body), the Jazz Bass ® neck is noticeably narrower at the nut than that of the Fender® Precision Bass®.

While the original Precision Bass® was styled similarly to the Telecaster® guitar, the Jazz Bass'® styling was inspired more by the Jazzmaster® guitar, with which the Jazz shared its offset body and sculpted edges that differentiate it from other slab-style guitar bodies.

The original intention was to encourage upright-bass players to switch to electric bass guitar.

It has become a true classic in the hands of bassists such as solo Bassist and Session Musician Marcus Miller, John Paul Jones of Led Zeppelin, Tim Commerford of Rage Against the Machine & Audioslave , Verdine White of Earth, Wind, & Fire, Larry Graham of Sly and the Family Stone and Graham Central Station, Noel Redding of the Jimi Hendrix Experience, John Entwistle of The Who (in the 1960s) and Geddy Lee of Rush, Flea of the Red Hot Chili Peppers, Les Claypool of Primus, Wesley Hopkins of Global Shell, Matt Freeman of Rancid, Jay DeMarcus of Rascal Flatts and Klaus Flouride of the Dead Kennedys to name but a few.

Vintage examples from the 1960s and 1970s are highly desirable. The new models remain a popular choice today of rock, jazz, and fusion musicians.

This Fender® Standard Jazz Bass® Is Featured In An Electron Blue Finish!

Makes A Great, Thick Fretless Sound, With Plenty Of "mwah"!

The sound SINGS to you, the lows are deep and organic, and the upper range will touch your soul. To all you fretted bass players out there; if you want to improve your skills, play a fretless, you will be surprised to find out how much more there is to learn about your instrument!

On its early ’60s introduction, the Fender® Jazz Bass® guitar immediately endeared itself to the music world, quickly becoming another Fender® design classic and an indispensable element in the arsenal of many a bassist worldwide. The fretless version of the instrument also proved very popular and quickly found its own niche.

The fretless version of the lean-and-mean Standard Jazz Bass® incorporates many of the original model’s classic Fender® “firsts,” such as the offset waist and ultra-slim fast-action neck. It’s updated here with two bi-pole pickups, American Jazz Bass® knobs and side dot position markers are centered between fretlines, giving you the best of both worlds and eras—some vintage vibe and appointments with some modern refinements.

Fretless basses have a distinct sound: the absence of frets means that the string must be pressed down directly onto the wood of the fingerboard and can buzz against it as with the double bass, sometimes described as a "mwaah" sound by bassists.

The fretless bass allows players to use the expressive devices of glissando, vibrato and microtonal intonations such as quarter tones and just intonation. Some bassists use both fretted and fretless basses in performances, according to the type of material they are performing.

In “How The Fender® Bass Changed The World”, Jim Roberts states that Bill Wyman made the first known fretless electric bass guitar in 1961 by converting an inexpensive Japanese fretted bass. This fretless bass can be heard on The Rolling Stones songs such as "Paint it Black".

Fender® introduced a fretless version of the Precision Bass® in 1970. Fusion-jazz virtuoso Jaco Pastorius created his own fretless bass by pulling the frets out of a sunburst Fender® Jazz Bass®, filling up the holes with wood putty and coating the fretboard with epoxy resin.

Fretless basses are widely used in jazz and jazz fusion music. Nonetheless, many bassists from other genres use fretless basses.

This Sunburst finish Fretless Fender® Standard Jazz Bass® is pure tonal magic; from soaring fretless highs to growling lows, just like an upright!

Larry Graham of Sly and the Family Stone and Graham Central Station Plays A Jazz Bass!

On its early ’60s introduction, the Fender® Jazz Bass® guitar immediately endeared itself to the music world, quickly becoming another Fender® design classic and an indispensable element in the arsenal of many a bassist worldwide.

Our lean-and-mean Standard Jazz Bass® incorporates many of the original model’s classic Fender® “firsts,” such as the offset waist and ultra-slim fast-action neck. It’s updated here with two bi-pole pickups and American Jazz Bass® knobs, giving you the best of both worlds and eras—some vintage vibe and appointments with some modern refinements.

The Jazz Bass® (or J-Bass) was the second model of electric bass guitar created by Leo Fender. The Jazz Bass® has a more articulate, defined sound than the Fender® Precision Bass®.

The bass is distinct from the Precision Bass® in that its tone is brighter and richer in the midrange with less emphasis on the fundamental harmonic. Because of this, many bass players who want to be more "forward" in the mix (including smaller bands such as power trios), prefer the Jazz Bass®.

First introduced in 1960 as the "Deluxe Model", it was marketed as a stablemate to the Jazzmaster® guitar which was also marketed as a "Deluxe Model" in its own right; however, it was renamed the Jazz Bass® as Fender® felt that its redesigned neck - narrower and more rounded than that of the Precision Bass® - would appeal more to jazz musicians.

The Jazz Bass® has two single coil pickups with two pole pieces per string. This gave the bass a a stronger midrange sound to compete with the Rickenbacker bass, which had been introduced in 1954 and which was famously "bright."

As well as having a slightly different, less symmetrical and more contoured body shape (known in Fender® advertising as the "Offset Waist Contour" body), the Jazz Bass ® neck is noticeably narrower at the nut than that of the Fender® Precision Bass®.

While the original Precision Bass® was styled similarly to the Telecaster® guitar, the Jazz Bass'® styling was inspired more by the Jazzmaster® guitar, with which the Jazz shared its offset body and sculpted edges that differentiate it from other slab-style guitar bodies.

The original intention was to encourage upright-bass players to switch to electric bass guitar.

It has become a true classic in the hands of bassists such as solo Bassist and Session Musician Marcus Miller, John Paul Jones of Led Zeppelin, Tim Commerford of Rage Against the Machine & Audioslave , Verdine White of Earth, Wind, & Fire, Larry Graham of Sly and the Family Stone and Graham Central Station, Noel Redding of the Jimi Hendrix Experience, John Entwistle of The Who (in the 1960s) and Geddy Lee of Rush, Flea of the Red Hot Chili Peppers, Les Claypool of Primus, Wesley Hopkins of Global Shell, Matt Freeman of Rancid, Jay DeMarcus of Rascal Flatts and Klaus Flouride of the Dead Kennedys to name but a few.

Vintage examples from the 1960s and 1970s are highly desirable. The new models remain a popular choice today of rock, jazz, and fusion musicians.

This Fender® Standard Jazz Bass® Is Featured In An Midnight Wine Finish!

John Paul Jones Favorite Bass!

On its early ’60s introduction, the Fender® Jazz Bass® guitar immediately endeared itself to the music world, quickly becoming another Fender® design classic and an indispensable element in the arsenal of many a bassist worldwide.

Our lean-and-mean Standard Jazz Bass® incorporates many of the original model’s classic Fender® “firsts,” such as the offset waist and ultra-slim fast-action neck. It’s updated here with two bi-pole pickups and American Jazz Bass® knobs, giving you the best of both worlds and eras—some vintage vibe and appointments with some modern refinements.

The Jazz Bass® (or J-Bass) was the second model of electric bass guitar created by Leo Fender. The Jazz Bass® has a more articulate, defined sound than the Fender® Precision Bass®.

The bass is distinct from the Precision Bass® in that its tone is brighter and richer in the midrange with less emphasis on the fundamental harmonic. Because of this, many bass players who want to be more "forward" in the mix (including smaller bands such as power trios), prefer the Jazz Bass®.

First introduced in 1960 as the "Deluxe Model", it was marketed as a stablemate to the Jazzmaster® guitar which was also marketed as a "Deluxe Model" in its own right; however, it was renamed the Jazz Bass® as Fender® felt that its redesigned neck - narrower and more rounded than that of the Precision Bass® - would appeal more to jazz musicians.

The Jazz Bass® has two single coil pickups with two pole pieces per string. This gave the bass a a stronger midrange sound to compete with the Rickenbacker bass, which had been introduced in 1954 and which was famously "bright."

As well as having a slightly different, less symmetrical and more contoured body shape (known in Fender® advertising as the "Offset Waist Contour" body), the Jazz Bass ® neck is noticeably narrower at the nut than that of the Fender® Precision Bass®.

While the original Precision Bass® was styled similarly to the Telecaster® guitar, the Jazz Bass'® styling was inspired more by the Jazzmaster® guitar, with which the Jazz shared its offset body and sculpted edges that differentiate it from other slab-style guitar bodies.

The original intention was to encourage upright-bass players to switch to electric bass guitar.

It has become a true classic in the hands of bassists such as solo Bassist and Session Musician Marcus Miller, John Paul Jones of Led Zeppelin, Tim Commerford of Rage Against the Machine & Audioslave , Verdine White of Earth, Wind, & Fire, Larry Graham of Sly and the Family Stone and Graham Central Station, Noel Redding of the Jimi Hendrix Experience, John Entwistle of The Who (in the 1960s) and Geddy Lee of Rush, Flea of the Red Hot Chili Peppers, Les Claypool of Primus, Wesley Hopkins of Global Shell, Matt Freeman of Rancid, Jay DeMarcus of Rascal Flatts and Klaus Flouride of the Dead Kennedys to name but a few.

Vintage examples from the 1960s and 1970s are highly desirable. The new models remain a popular choice today of rock, jazz, and fusion musicians.

This Fender® Standard Jazz Bass® Is Featured In A Sunburst Finish!

The Standard Precision bass features a comfort-contoured body, maple neck with a rosewood fingerboard, a single split-coil hum-canceling pickup and knurled chrome American P Bass knobs. This bass is featured in a sunburst finish.